WEBVTT 00:00.000 --> 00:05.000 Your accessory to a $300 million a year music bootlegging racket, Mr. Brooks. 00:05.000 --> 00:09.000 Oh sure, record a song, give the pirates one last crack at him. 00:09.000 --> 00:11.000 Give us a crack at Joey's killer. 00:11.000 --> 00:13.000 Those pirate tapes hit the Jots too, you know. 00:13.000 --> 00:16.000 Maybe we should, uh, start pirating a few of those tapes ourselves. 00:16.000 --> 00:19.000 Well, I don't know why anybody would want to kill Joey. 00:19.000 --> 00:20.000 Could be anyone. 00:20.000 --> 00:24.000 I could just never, ever marry another blind person. 00:24.000 --> 00:26.000 You know what I'm sorry about? 00:26.000 --> 00:28.000 Is when that safe went up it didn't blow my head clear off. 00:28.000 --> 00:30.000 I'm out. 00:58.880 --> 01:00.000 Did you see that? 01:00.000 --> 01:02.000 Yeah, uh oh. 01:18.000 --> 01:20.000 Mr. Brooks, what can I do for you? 01:20.000 --> 01:23.000 I understand you have the latest Out of Sight release on special. 01:23.000 --> 01:25.000 Sure do. If there's any left they go pretty fast. 01:25.000 --> 01:28.000 And only $2.50 a cassette, I would imagine. 01:32.000 --> 01:33.000 Here you go. 01:33.000 --> 01:35.000 Aris 9-3-0, sand in the sandpiper. 01:35.000 --> 01:37.000 You're lucky it's the last one. 01:39.000 --> 01:40.000 Yeah. 01:40.000 --> 01:42.000 It's a pirate tape, all right. 01:42.000 --> 01:44.000 This counterfeit artwork wouldn't fool anybody. 01:44.000 --> 01:46.000 I wonder if the tape's any better. 01:46.000 --> 01:51.000 Mr. Brooks, it would be interesting to know how you can sell these for $4.50 under the going price. 01:51.000 --> 01:53.000 You're suggesting I'm selling stolen merchandise? 01:53.000 --> 01:55.000 Now that you mention it, yes. 01:55.000 --> 02:01.000 Mr. Brooks, do you know that you're actually stealing from musicians, singers, writers and producers? 02:01.000 --> 02:02.000 Who'd you buy it from? 02:02.000 --> 02:04.000 Oh, I don't know. I buy a lot of stuff. 02:04.000 --> 02:07.000 Say, look, this was presented to me as legitimate merchandise. 02:07.000 --> 02:10.000 It was part of a bankrupt stock liquidation, I believe. 02:10.000 --> 02:13.000 Get off of it. You know that's a copied label. 02:13.000 --> 02:17.000 They're accessory to a $300 million a year music bootlegging racket, Mr. Brooks. 02:17.000 --> 02:21.000 The only way we can stop it is at the end of the funnel, the distributor. 02:21.000 --> 02:22.000 So? 02:22.000 --> 02:23.000 So you get an invoice. 02:23.000 --> 02:25.000 Oh, I didn't ask for one. 02:25.000 --> 02:27.000 What did the seller look like? What kind of car was he driving? 02:27.000 --> 02:30.000 I never sold him before in my life. 02:30.000 --> 02:32.000 Sorry, evidence. 02:32.000 --> 02:37.000 Now, if you think of anything, you get in touch with us. 02:37.000 --> 02:41.000 In the meantime, we've already got you on one count. 02:41.000 --> 02:53.000 Don't buy any more rip-offs. 02:53.000 --> 02:56.000 Now, what's so special about that one? 02:56.000 --> 03:06.000 You'll see. Your ears aren't too bent from listening to all this junk. 03:06.000 --> 03:09.000 Fidelity? No wow, no fuzz? 03:09.000 --> 03:14.000 I had to come right off the master. 03:14.000 --> 03:17.000 Now, that would be Perfection Records. 03:17.000 --> 03:20.000 Out of Sight is the only real name on the label you know. 03:20.000 --> 03:21.000 That's so. 03:21.000 --> 03:24.000 Now, that's Barefoot Joe on guitar. 03:24.000 --> 03:27.000 They say Nancy Colbo won't sing without him. 03:27.000 --> 03:32.000 Barefoot Joe? 03:32.000 --> 03:35.000 Barefoot Joe. 03:35.000 --> 03:39.000 All right, come on. Come on, let me see a swan dive. 03:39.000 --> 03:51.000 Come on, go ahead. 03:51.000 --> 03:53.000 Hey, come on. Get that out. 03:53.000 --> 03:55.000 I've got my dog trained better than that. 03:55.000 --> 04:01.000 My towel, please. 04:01.000 --> 04:06.000 I've decided that after the session, I'm going to fix us some cornbread and sorghum, 04:06.000 --> 04:12.000 and hush puppies, and sal belay, and okra, and how many ingrits does that? 04:12.000 --> 04:14.000 Can we have dandelion wings, too? 04:14.000 --> 04:17.000 Sure can. I've been flying a lot in the kitchen, though. 04:17.000 --> 04:20.000 Hey, inform me. 04:20.000 --> 04:22.000 Joey, come on, we're late. 04:22.000 --> 04:29.000 Hey, we're never that late. Come on, tell me. 04:29.000 --> 04:34.000 I tell you, I've got to hear that at least twice a day or I start stringing out. 04:34.000 --> 04:37.000 Joey, let me do it. 04:37.000 --> 04:39.000 Do you want me to start you off? 04:39.000 --> 05:08.000 If I don't have this face by now. 05:08.000 --> 05:30.000 You're beautiful. 05:30.000 --> 05:34.000 Joey, come on. We can't keep them waiting. You know Mo gets mad. 05:34.000 --> 05:36.000 Yes, ma'am. 05:36.000 --> 05:40.000 It's on every station climbing the charts, and the pirates have taken the bread. 05:40.000 --> 05:43.000 Just soothe down now, Mo. We're in release. 05:43.000 --> 05:47.000 Sure. While we're making zero bread, putting it together. 05:47.000 --> 05:51.000 Doing promos, some clown jumps a gun on us. The best of the markets gobbled up. 05:51.000 --> 05:52.000 Now give me that thing. 05:52.000 --> 06:01.000 Oh, no. 06:01.000 --> 06:05.000 You know, you're going to be the death of you yet, Mo. 06:05.000 --> 06:07.000 Hey, man. How are you? 06:07.000 --> 06:09.000 Hey, Nancy. 06:09.000 --> 06:11.000 Listen, do I have time to throw something on? 06:11.000 --> 06:14.000 No, Miss Everlovin. Go ahead, babe. I'll wait for you. 06:14.000 --> 06:16.000 It's all right, Joey. We'll drive her down. 06:16.000 --> 06:18.000 Well, now, listen to Big Daddy. 06:18.000 --> 06:23.000 It's okay, Joey. Why don't you just go on down to the studio now and get yourself in a couple of practice licks on that old guitar of yours. 06:23.000 --> 06:25.000 We've got things to talk over over here. 06:25.000 --> 06:26.000 I think I'll wait, Nancy. 06:26.000 --> 06:29.000 It's all right, Joey. It's no sweat. We'll meet you there, okay? 06:29.000 --> 06:36.000 Yeah. All right. 06:36.000 --> 06:38.000 Who left this here? 06:38.000 --> 06:40.000 I'm sorry, Joey. We thought you could see. 06:40.000 --> 06:43.000 We changed things around to break the monotony. 06:43.000 --> 06:45.000 Yeah, well, you like to broke my neck. 06:45.000 --> 06:49.000 I'm sorry. Maybe we'll have better luck next time. 06:49.000 --> 06:52.000 Yeah, right. 06:52.000 --> 06:54.000 Some sweet morning he's going to clobber you. 06:54.000 --> 06:56.000 Oh, that hillbilly. 06:56.000 --> 07:01.000 You keep poking yourself between him and Nancy like you got some kind of ownership or like you stand a chance. 07:01.000 --> 07:04.000 Don't you know Nancy's got too much class for a dude like you? 07:04.000 --> 07:08.000 Didn't he make dropout? 07:08.000 --> 07:16.000 Oh, no. 07:16.000 --> 07:17.000 Three musketeers, huh? 07:17.000 --> 07:18.000 Oh, yeah. 07:18.000 --> 07:25.000 I got you, boy. I got you. 07:25.000 --> 07:29.000 Will you please knock it off? 07:29.000 --> 07:30.000 Sorry, Ethel. 07:30.000 --> 07:33.000 Hey, Mama Cunninghouse. What are royalties add up to? 07:33.000 --> 07:35.000 Not enough for you to be breaking up the furniture. 07:35.000 --> 07:39.000 With a hit in January and two albums on the charts, we ought to be buying Nashville. 07:39.000 --> 07:43.000 Listen, be happy you can pay your rent. Those pirate tapes hit the charts, too, you know. 07:43.000 --> 07:50.000 You know, maybe we should start pirating a few of those tapes ourselves. 07:50.000 --> 07:55.000 Maybe we ought to. 07:55.000 --> 07:59.000 Hey, come on. Let's get going before we push Uncle Max into overtime. 07:59.000 --> 08:02.000 Yeah, come on, team. Line up. Let's go. Ready. 08:02.000 --> 08:05.000 You know, really, I should get myself one of those new laser canes. 08:05.000 --> 08:09.000 They not only tell you what's in your path, but they get a phone number and... 08:09.000 --> 08:14.000 There you go, miss. 08:14.000 --> 08:17.000 You know I need your love. 08:17.000 --> 08:19.000 This is First Generation or Mighty Close Tour. 08:19.000 --> 08:28.000 This has got to be stopped. 08:28.000 --> 08:32.000 My people don't know how bad it is here. I'm about to go under. 08:32.000 --> 08:35.000 Did you realize that out-of-sight group was the lifeblood of this company? 08:35.000 --> 08:39.000 It's bread and butter. It supports everything else. 08:39.000 --> 08:41.000 Or at least it did until these thieves took over. 08:41.000 --> 08:47.000 Mr. Leonard, this pirating can be done by almost anybody who buys a tape at the local music store, makes copies of it, right? 08:47.000 --> 08:51.000 Sure. The more recorders you line up, the more slave tapes you can run off. 08:51.000 --> 08:53.000 There's something different about this bootlegger. 08:53.000 --> 08:56.000 He had access to a high-quality tape before you went into release. 08:56.000 --> 09:00.000 Exactly what do you do when you complete a master tape? 09:00.000 --> 09:02.000 I run off two protection tapes. 09:02.000 --> 09:05.000 Then the master tape I put into the duplication room in the vault. 09:05.000 --> 09:09.000 One tape I put in my safe over there and the other one I give to the artist for safekeeping. 09:09.000 --> 09:14.000 Look, we're about to record a number that Joey wrote for Nancy. Would you care to see our operation? 09:14.000 --> 09:17.000 Yeah, we would. 09:22.000 --> 09:23.000 Dee? 09:23.000 --> 09:26.000 It's my magnetic charm, you see. 09:26.000 --> 09:29.000 I can smell the lemon. 09:29.000 --> 09:31.000 Here. 09:31.000 --> 09:33.000 Oh, thanks. 09:33.000 --> 09:35.000 I love his words. 09:35.000 --> 09:36.000 Do you like Joey's words? 09:36.000 --> 09:37.000 Yeah. 09:37.000 --> 09:39.000 Well, you always words and his music. 09:39.000 --> 09:41.000 You should be to any man who knew you. 09:41.000 --> 09:42.000 Oh, thanks. 09:42.000 --> 09:44.000 Hi, uh, listen, I got a little surprise for you. 09:44.000 --> 09:46.000 What? 09:46.000 --> 09:50.000 Well, now you are talking to the main man now. 09:50.000 --> 09:54.000 I got the job of the chief engineer of the biggest sound studio in the country. 09:54.000 --> 09:55.000 Oh, you didn't? 09:55.000 --> 09:57.000 Oh, Dee, whoa! 09:57.000 --> 09:59.000 I'm so happy for you. That's great. 09:59.000 --> 10:01.000 What do you mean, for me? It's for us. 10:01.000 --> 10:03.000 Oh, come on, Dee. 10:03.000 --> 10:05.000 I have my commitments. Come on. 10:05.000 --> 10:08.000 Oh, wait a minute. You only have commitments to yourself and this world. 10:08.000 --> 10:10.000 Yeah, I promised Joey I'd go to the Ozarks with him. 10:10.000 --> 10:12.000 Well, it's not a question of hurting Joey. 10:12.000 --> 10:15.000 It's a question of how much you like corn and ponen get. 10:15.000 --> 10:17.000 Anytime you're ready, Miss Ebberlovin. 10:17.000 --> 10:19.000 Let's go. Let's go. 10:19.000 --> 10:22.000 Oh, my God. 10:49.000 --> 10:51.000 Yeah, it's fine. Perfect. 10:51.000 --> 10:53.000 I think it's good. All right? 10:53.000 --> 10:54.000 Yep. 10:54.000 --> 10:56.000 Hey, Mo, second bar. 10:56.000 --> 10:58.000 Come on, just a little bit heavier on the drums, okay? 10:58.000 --> 11:00.000 Well, let me get a balance, pal. 11:00.000 --> 11:03.000 Six little Indians, five little Indians, 11:03.000 --> 11:06.000 four little Indians, three little Indians, 11:06.000 --> 11:10.000 two little Indians, one little Indian. 11:10.000 --> 11:12.000 Good, thank you. 11:12.000 --> 11:14.000 Hey. 11:14.000 --> 11:17.000 Wow, it's your turn to tell me. 11:17.000 --> 11:19.000 Oh, with pleasure. 11:19.000 --> 11:21.000 Thanks. 11:21.000 --> 11:24.000 I just hope I don't mess up your beautiful words, honey. 11:24.000 --> 11:26.000 Hey, you won't mess anything up except my sleep. 11:26.000 --> 11:28.000 I'm gonna be right outside there. 11:28.000 --> 11:30.000 You take care, okay? 11:30.000 --> 11:32.000 Okay, Joey, let's get on with the man. 11:32.000 --> 11:34.000 Let's try to go for a take, okay, everybody? 11:34.000 --> 11:36.000 Nancy, you okay, honey? 11:36.000 --> 11:38.000 All right, everybody settle down now. 11:38.000 --> 11:40.000 Barry, Mello, Willie, Joe. 11:40.000 --> 11:42.000 All right, let's try that. 11:42.000 --> 11:47.000 Okay. 11:47.000 --> 11:51.000 Oh, I've been to New York City 11:51.000 --> 11:55.000 And I've been to L.A. too 11:55.000 --> 12:00.000 But there's no place that I'd rather be 12:00.000 --> 12:04.000 Than right here next to you 12:04.000 --> 12:08.000 Oh, I've heard a lot of sad songs 12:08.000 --> 12:13.000 And I've heard a lot of bad news 12:13.000 --> 12:17.000 But nothing brings me down as much 12:17.000 --> 12:21.000 As when I'm not hearing from you 12:21.000 --> 12:26.000 Won't you light the way 12:26.000 --> 12:31.000 Won't you light the way 12:31.000 --> 12:38.000 I know only your love can light the way for me 12:38.000 --> 12:43.000 Oh, I like your high-heeled sneakers 12:43.000 --> 12:47.000 And I like your blue suede shoes 12:47.000 --> 12:51.000 But there's nothing I like better 12:51.000 --> 12:56.000 Than to be here holding you 12:56.000 --> 13:01.000 Oh, you can have all the pictures 13:01.000 --> 13:05.000 And you can have the movies too 13:05.000 --> 13:10.000 Cause there's no one on the silver screen 13:10.000 --> 13:14.000 That looks as good as you 13:14.000 --> 13:18.000 Won't you light the way 13:18.000 --> 13:24.000 Won't you light the way 13:24.000 --> 13:29.000 I know only your love can light the way 13:54.000 --> 13:59.000 For you 14:06.000 --> 14:10.000 You tried 14:10.000 --> 14:12.000 Said Joey'd called you 14:12.000 --> 14:13.000 This morning 14:13.000 --> 14:14.000 He said he had to talk to me 14:14.000 --> 14:15.000 About what? 14:15.000 --> 14:17.000 He wouldn't say on the phone 14:17.000 --> 14:20.000 I told him to come around to my office right after the session 14:20.000 --> 14:23.000 I don't want anything moved 14:23.000 --> 14:26.000 Hey, Hubie, Cutter, no wrap-up 14:26.000 --> 14:29.000 Why, Joey, why? 14:29.000 --> 14:31.000 Oh, if accidents were explainable, 14:31.000 --> 14:32.000 Everyone wouldn't have any 14:32.000 --> 14:34.000 Here you go, babe 14:34.000 --> 14:35.000 Oh, speaking of Phil's, 14:35.000 --> 14:37.000 What was Joey dropping today? 14:37.000 --> 14:39.000 Those were tranquilizers 14:39.000 --> 14:43.000 Joey always gets uptight before... 14:43.000 --> 14:46.000 Joey always got uptight before a session 14:46.000 --> 14:48.000 Yeah, but does he always wash it down with whiskey? 14:48.000 --> 14:49.000 Oh, T! 14:49.000 --> 14:51.000 Look, I'm sorry, babe, I saw him take it 14:51.000 --> 14:54.000 I mean, I saw him take it from Cutter's private stock 14:54.000 --> 14:56.000 Maybe there was something buggy in today 14:56.000 --> 15:00.000 Was Joey on any other kind of medication, Miss Caldwell? 15:00.000 --> 15:02.000 If you mean drugs, no 15:02.000 --> 15:04.000 Not Joey 15:04.000 --> 15:09.000 Here, here 15:09.000 --> 15:24.000 I'm sorry 15:24.000 --> 15:33.000 Let's see how it shorted out 15:33.000 --> 15:37.000 Mr. Huber, we ask that nothing be touched, please 15:37.000 --> 15:39.000 Oh, sorry 15:39.000 --> 15:41.000 I didn't know you meant the cables 15:41.000 --> 15:48.000 We meant that nothing be touched 15:48.000 --> 15:50.000 I understand Joey was barefoot most of the time 15:50.000 --> 15:53.000 He used to be, but Nancy got him into sandals 15:53.000 --> 15:56.000 Except when he was playing guitar 15:56.000 --> 15:59.000 Well, this is where the problem is, it's a loose wire, you see 15:59.000 --> 16:06.000 It shorts against the housing when you press the pedal 16:06.000 --> 16:11.000 Maybe that wire came loose unnaturally 16:11.000 --> 16:13.000 Well, I don't know why anybody would want to kill Joey 16:13.000 --> 16:15.000 Could be anyone 16:15.000 --> 16:19.000 Anyone 16:19.000 --> 16:32.000 Everyone knew he played his guitar barefoot 16:32.000 --> 16:35.000 Just wish my last words to Joey hadn't been so heavy 16:35.000 --> 16:37.000 I really liked him 16:37.000 --> 16:42.000 Who are you trying to convince, you or me? 16:42.000 --> 16:43.000 Use the belt, boys 16:43.000 --> 17:02.000 I could 17:02.000 --> 17:04.000 What's this noise? 17:04.000 --> 17:07.000 There's no way that anybody could have stolen that from our stage with a recorder 17:07.000 --> 17:11.000 It'd be a measurable echo effects 17:11.000 --> 17:14.000 All sorts of kickback from the ceiling 17:14.000 --> 17:16.000 A lot of phantom fuzz 17:16.000 --> 17:18.000 No, that's what 17:18.000 --> 17:20.000 That we filter out in here 17:20.000 --> 17:28.000 Basically, you just get no balance 17:28.000 --> 17:29.000 Good 17:29.000 --> 17:35.000 Somebody splice into your input at the time you record your master and run off a simultaneous dupe 17:35.000 --> 17:39.000 You know a lot of that technical stuff, don't you? 17:39.000 --> 17:41.000 That's a fair question 17:41.000 --> 17:45.000 Well, this is the patch bay right here, you see 17:45.000 --> 17:47.000 It's in two parts, here, here 17:47.000 --> 17:52.000 This could be, you could have a duplicate output 17:52.000 --> 17:56.000 Like so 17:56.000 --> 17:58.000 It would be rather obvious 17:58.000 --> 17:59.000 Everybody 17:59.000 --> 18:01.000 You see, you get a reduced impedance 18:01.000 --> 18:04.000 In other words, the level just drops down 18:04.000 --> 18:06.000 Now, this is the terminal block 18:06.000 --> 18:09.000 Here, everything filters through this 18:09.000 --> 18:13.000 This is sort of a sealed bucket of worms 18:13.000 --> 18:15.000 So to speak 18:15.000 --> 18:18.000 And it channels through here to this line 18:18.000 --> 18:20.000 Which leads to the wall 18:20.000 --> 18:22.000 And then through to the master recording unit 18:22.000 --> 18:25.000 Mr. Dietrich, considering the quality of this 18:25.000 --> 18:33.000 Would you challenge the speculation that someone may have slaved it off the master or one of the two safety tapes? 18:33.000 --> 18:40.000 Well, as a sound engineer, that would be my first assumption 18:40.000 --> 18:43.000 Mr. Prudy, I understand you have quarters here 18:43.000 --> 18:45.000 Behind the duplicating room 18:45.000 --> 18:50.000 I like to think of it as my final station, my retirement base, so to speak 18:50.000 --> 18:53.000 Two of the tapes are secured in this building 18:53.000 --> 18:55.000 Could anyone have gotten to them? 18:55.000 --> 18:56.000 Not with me around 18:56.000 --> 18:58.000 And I'm pretty much here all the time 18:58.000 --> 18:59.000 Like in the Marines 18:59.000 --> 19:02.000 When I'm not awake, I'm half awake 19:02.000 --> 19:07.000 And when I'm not half awake, I've got one eye open 19:07.000 --> 19:10.000 In that condition, a man's vision can get blurred 19:10.000 --> 19:12.000 Ha ha ha ha 19:15.000 --> 19:17.000 Coroner's office confirms electrocution 19:17.000 --> 19:19.000 No other cause of death 19:19.000 --> 19:20.000 Lab team visit? 19:20.000 --> 19:22.000 Scouring the plant 19:22.000 --> 19:25.000 Safety tape and Max's private safe hasn't been touched 19:25.000 --> 19:28.000 Nor the master tape and the company vault 19:28.000 --> 19:31.000 We'll take a look at the one the group's holding 19:31.000 --> 19:33.000 Here 19:33.000 --> 19:35.000 While it's down there 19:40.000 --> 19:44.000 Max Leonard, deep in arrears, bad financial standing 19:44.000 --> 19:47.000 No police record, he's about to fold 19:47.000 --> 19:50.000 Logan Dietrich, he's a sound engineer 19:50.000 --> 19:52.000 He wrote a hit song once 19:52.000 --> 19:55.000 He even produced a couple of sessions 19:55.000 --> 19:57.000 Has applied for work elsewhere 19:57.000 --> 20:00.000 Situation in Paris seems to be secured 20:00.000 --> 20:02.000 No records 20:02.000 --> 20:04.000 Walter Prudy, security officer 20:04.000 --> 20:07.000 He's a 20-year Marine, retired 20:07.000 --> 20:08.000 Ratings? 20:08.000 --> 20:12.000 Electrician first class, radar, communications, expert rifleman 20:12.000 --> 20:15.000 Evaluation, loyalty 100, dependability 100 20:15.000 --> 20:17.000 Judgment 75 20:17.000 --> 20:24.000 Carl Hubey Hubert, electrician with too many kids and too many bills 20:24.000 --> 20:26.000 He has no record 20:26.000 --> 20:30.000 Elroy Cutter, former C.B. DeMille boom man 20:30.000 --> 20:32.000 Spectaculars 20:32.000 --> 20:36.000 Ethel Manning, artist's representative, independent agent 20:36.000 --> 20:39.000 Small court altercations 20:39.000 --> 20:44.000 One charge from an IRS agent, assault with lethal weapons 20:44.000 --> 20:46.000 Her briefcase 20:46.000 --> 20:51.000 Willie Bonner, born blind in Scranton, Pennsylvania 20:51.000 --> 20:53.000 He's an unschooled musician 20:53.000 --> 20:56.000 No priors, no education 20:57.000 --> 21:00.000 Nancy Caldwell, she was also born blind 21:00.000 --> 21:03.000 Graduate of Laird School of Music 21:03.000 --> 21:05.000 No problems 21:06.000 --> 21:08.000 And Moe Tucker 21:08.000 --> 21:09.000 Moe wasn't born blind 21:09.000 --> 21:12.000 He grew up in one of Detroit's better ghettos 21:12.000 --> 21:15.000 Where he collected a string of juvenile credits 21:15.000 --> 21:18.000 He lost his sight at the age of 20 21:18.000 --> 21:20.000 Trying to blow up in a warehouse safe 21:20.000 --> 21:23.000 Before that he worked in radio, TV, electronics 21:23.000 --> 21:25.000 And he's an expert 21:25.000 --> 21:29.000 Oh, I've been to New York City 21:29.000 --> 21:34.000 And I've been to L.A. too 21:34.000 --> 21:39.000 But there's no place that I'd rather be 21:39.000 --> 21:44.000 Than right here next to you 21:44.000 --> 21:49.000 Oh, I've heard a lot of sad songs 21:49.000 --> 21:54.000 And I've heard a lot of bad news 21:54.000 --> 21:59.000 But nothing brings me down as much 21:59.000 --> 22:03.000 As when I'm not hearing from you 22:03.000 --> 22:09.000 Won't you light the way 22:09.000 --> 22:15.000 Won't you light the way 22:15.000 --> 22:36.000 I know only one love can light the way for me 22:37.000 --> 22:40.000 Joey had the soul of a little boy 22:40.000 --> 22:43.000 Everything was always brand new to him 22:43.000 --> 22:46.000 Exciting, like tomorrow 22:46.000 --> 22:49.000 I could see things with him 22:49.000 --> 22:51.000 I know every tree here 22:51.000 --> 22:53.000 I know where the rocks are 22:53.000 --> 22:55.000 Where the creek goes 22:55.000 --> 22:57.000 Sit down, please 22:57.000 --> 22:59.000 You were kind the other day 22:59.000 --> 23:02.000 I feel intrusive, Nancy 23:02.000 --> 23:04.000 Don't 23:04.000 --> 23:07.000 I know why you're here 23:07.000 --> 23:10.000 Joey wasn't mixed up in pirateing 23:10.000 --> 23:12.000 You're certain? 23:12.000 --> 23:14.000 Yeah, they'd have told me 23:14.000 --> 23:16.000 Joey told me everything 23:16.000 --> 23:18.000 There's a possibility that 23:18.000 --> 23:21.000 Joey's death wasn't accidental 23:21.000 --> 23:26.000 It's hard to figure, you know 23:26.000 --> 23:29.000 Where was Joey from? 23:29.000 --> 23:32.000 Somewhere in Missouri 23:32.000 --> 23:35.000 Came out of the Ozarks with just a cigar box banjo 23:35.000 --> 23:37.000 No shoes 23:37.000 --> 23:39.000 He didn't even have a social security card 23:39.000 --> 23:42.000 Till we started recording 23:42.000 --> 23:45.000 He wouldn't even believe the way I met him 23:45.000 --> 23:47.000 He was going around door to door 23:47.000 --> 23:50.000 Selling products made by the blind 23:50.000 --> 23:52.000 He was spilling one of these canned pictures 23:52.000 --> 23:54.000 You know, the kind you can't put into 23:54.000 --> 23:56.000 And when I finally got through to him 23:56.000 --> 23:58.000 That he was talking to a blind woman 23:58.000 --> 24:00.000 He got so flustered 24:00.000 --> 24:03.000 Spilt everything through the front door 24:03.000 --> 24:08.000 And I invited him in to help clean up the mess 24:08.000 --> 24:12.000 Anyway, I'm through with singing 24:12.000 --> 24:14.000 Oh, Nancy 24:14.000 --> 24:17.000 All my life music was something beautiful to me 24:17.000 --> 24:19.000 Now suddenly it's polluted 24:19.000 --> 24:22.000 With pirates and leeches 24:22.000 --> 24:25.000 And if you're right 24:25.000 --> 24:28.000 You've been killing 24:28.000 --> 24:30.000 I'm going away 24:30.000 --> 24:32.000 Where? 24:32.000 --> 24:35.000 Somewhere, anywhere 24:35.000 --> 24:36.000 Maybe to Paris 24:36.000 --> 24:37.000 Dee asked me 24:37.000 --> 24:39.000 He got himself a fine job 24:39.000 --> 24:41.000 Well, that's good 24:41.000 --> 24:43.000 If you love him 24:43.000 --> 24:47.000 Hell, you can learn to love 24:47.000 --> 24:49.000 Dee loves me 24:49.000 --> 24:51.000 I know that 24:51.000 --> 24:52.000 He'd do anything for me 24:52.000 --> 24:55.000 Are you sure you're not simply running away? 24:55.000 --> 24:57.000 Well, it may be 24:57.000 --> 24:59.000 But I've done my last recording 24:59.000 --> 25:01.000 That's a powerful self-estatement, baby 25:01.000 --> 25:03.000 When you go, the sound goes 25:03.000 --> 25:05.000 Willie and me, we're nothing 25:05.000 --> 25:07.000 You're hanging out on us 25:07.000 --> 25:10.000 You split with Dee, Uncle Max goes down with Dee 25:10.000 --> 25:12.000 Look, I don't want to talk about it 25:20.000 --> 25:24.000 Mo, can I give you a ride back? 25:24.000 --> 25:26.000 I got a thing about cops 25:26.000 --> 25:29.000 Maybe I'm different 25:29.000 --> 25:35.000 I can smell better in most of them anyway 25:42.000 --> 25:43.000 Hey, not bad 25:43.000 --> 25:45.000 We have a wreck 25:45.000 --> 25:47.000 I'll tell them why 25:47.000 --> 25:49.000 Now, if your eyes are blue 25:49.000 --> 25:52.000 I'd say your ancestors came from the Emerald Isle 25:52.000 --> 25:55.000 With a little German thrown in 25:55.000 --> 25:56.000 You're remarkable 25:56.000 --> 25:59.000 Honey, when you can't see who you're making a pass at 25:59.000 --> 26:01.000 Your fingers get educated 26:04.000 --> 26:08.000 Mo, I'll describe my measurements for you if you don't mind 26:08.000 --> 26:12.000 I find it a little hard to believe you haven't learned braille 26:12.000 --> 26:15.000 It's more fun to lie back and let pretty girls read to me 26:15.000 --> 26:17.000 All right, flip the switch, Mo 26:17.000 --> 26:18.000 It's serious time 26:18.000 --> 26:21.000 Someone is pirating perfection records 26:21.000 --> 26:23.000 And you gotta check all the possible 26:23.000 --> 26:25.000 Without exception 26:25.000 --> 26:28.000 So we might as well start with Nancy 26:28.000 --> 26:29.000 No way 26:28.000 --> 26:29.000 Will he? 26:29.000 --> 26:32.000 Hopelessly saddled with virtue 26:32.000 --> 26:33.000 Miss Manning? 26:33.000 --> 26:34.000 If she were gonna rip us off 26:34.000 --> 26:37.000 She could have done it with the books a long time ago 26:37.000 --> 26:39.000 How about you? 26:39.000 --> 26:41.000 That's really where you were headed all the time, isn't it? 26:41.000 --> 26:44.000 We have to check into everybody's background, Mo 26:44.000 --> 26:46.000 We know why you were blinded 26:46.000 --> 26:48.000 Oh, so the needle home's on me 26:48.000 --> 26:49.000 Pull this thing over 26:49.000 --> 26:51.000 Mo, we have to eliminate suspects, too 26:51.000 --> 26:56.000 I said pull over 26:56.000 --> 26:59.000 Mo, wait, please, wait 26:59.000 --> 27:01.000 No 27:01.000 --> 27:02.000 The thing that owned that warehouse 27:02.000 --> 27:04.000 Is how my kid sister did a shoplift 27:04.000 --> 27:05.000 She got busted 27:05.000 --> 27:08.000 Then she learned an older profession at the correction farm 27:08.000 --> 27:10.000 You know what I'm sorry about? 27:10.000 --> 27:11.000 Is when that safe went up 27:11.000 --> 27:12.000 It didn't blow my head in clear off 27:12.000 --> 27:15.000 No! No! 27:15.000 --> 27:20.000 Nancy! Nancy! 27:25.000 --> 27:28.000 Nancy? 27:28.000 --> 27:32.000 Um, I'll wait outside 27:32.000 --> 27:33.000 It's no use, Willie 27:33.000 --> 27:36.000 I'm going to Perfections to clean up my things 27:36.000 --> 27:38.000 We need you, Nancy 27:38.000 --> 27:40.000 Willie, you don't 27:40.000 --> 27:44.000 You don't have to depend on anybody to make your music 27:44.000 --> 27:46.000 Nancy, you don't love Dee 27:46.000 --> 27:48.000 I never said that I did 27:48.000 --> 27:51.000 Now, I don't want you to go away with him 27:51.000 --> 27:55.000 I don't want you to go away from me 27:55.000 --> 27:59.000 Oh, Willie 27:59.000 --> 28:04.000 Oh, no 28:04.000 --> 28:07.000 Oh, I never could say it before 28:07.000 --> 28:10.000 Because you were so hung up on Joey 28:10.000 --> 28:13.000 Oh, Willie 28:13.000 --> 28:16.000 I do love you 28:16.000 --> 28:20.000 But it's not like that 28:20.000 --> 28:22.000 Look, just 28:22.000 --> 28:24.000 Just give me a chance 28:24.000 --> 28:26.000 I can take you to all those places 28:26.000 --> 28:27.000 All of them 28:27.000 --> 28:29.000 But, Willie 28:29.000 --> 28:31.000 How could I see them? 28:31.000 --> 28:33.000 How could you? 28:33.000 --> 28:35.000 Oh, Willie, please 28:35.000 --> 28:38.000 Just try to understand 28:38.000 --> 28:43.000 I could just never, ever marry another blind person 28:43.000 --> 28:48.000 Oh, please 28:58.000 --> 29:00.000 Who's there? 29:00.000 --> 29:09.000 Shh 29:19.000 --> 29:21.000 Maybe you picked that safe before, Mo 29:21.000 --> 29:22.000 Maybe I should have 29:22.000 --> 29:27.000 Maybe you should have 29:27.000 --> 29:30.000 It's cool, Willie 29:30.000 --> 29:33.000 I've been ripped off as long as I'm going to be 29:33.000 --> 29:35.000 I'm going to run off 100,000 slave tapes 29:35.000 --> 29:36.000 And grab what's left of the mark 29:36.000 --> 29:37.000 Be sure you are, Mo 29:37.000 --> 29:39.000 Be smart once and help me 29:39.000 --> 29:59.000 Otherwise, get out of here 29:59.000 --> 30:01.000 Tape don't belong to just you, Mo 30:01.000 --> 30:03.000 A piece of it belongs to Nancy 30:03.000 --> 30:05.000 And to Uncle Max 30:05.000 --> 30:06.000 And to the asshole 30:06.000 --> 30:08.000 And to me 30:08.000 --> 30:11.000 I never said I was cutting any of you out of it 30:39.000 --> 30:42.000 Come on in 30:42.000 --> 30:47.000 General and I wonder if we might inspect your safety tape on sand and sandpipers 30:47.000 --> 30:49.000 I'm afraid you'll have to wait for Ethel 30:49.000 --> 30:52.000 She has the combination to the safe 30:52.000 --> 30:54.000 We don't have to wait 30:54.000 --> 30:57.000 I was just about to crack it 30:57.000 --> 31:00.000 Yeah, Mo's real handy with his fingers 31:00.000 --> 31:15.000 So we understand 31:30.000 --> 31:45.000 Be my guest 31:45.000 --> 32:00.000 Does it look like it's ever been opened up? 32:00.000 --> 32:03.000 What it looks like on the outside doesn't mean a thing 32:03.000 --> 32:05.000 You're absolutely right 32:05.000 --> 32:08.000 So if you don't mind, I'd like the lab to examine it 32:08.000 --> 32:10.000 They can tell if it's ever been played 32:10.000 --> 32:13.000 Just make sure those cops don't slave off a dupe 32:13.000 --> 32:17.000 Ed, would you please excuse Mo and me for a few minutes? 32:17.000 --> 32:18.000 Other room, Willie? 32:18.000 --> 32:25.000 Sure 32:25.000 --> 32:30.000 This will come as a shock to you, but I wouldn't steal from friends 32:30.000 --> 32:33.000 I believe that 32:33.000 --> 32:35.000 A cop believes Mo Tucker? 32:35.000 --> 32:39.000 Mo, nobody got to the other two tapes 32:39.000 --> 32:43.000 Then somebody's splicing into the input and pirating a duplicate master 32:43.000 --> 32:44.000 When we're recording 32:44.000 --> 32:47.000 I question Dietrich about that 32:47.000 --> 32:50.000 I know more about that equipment than he does 32:50.000 --> 32:54.000 All right, will you help me check it out? 32:54.000 --> 32:55.000 The mixer can do it 32:55.000 --> 32:57.000 He'll be prudy 32:57.000 --> 32:58.000 He's a ham operator 32:58.000 --> 32:59.000 A lot of those guys know what they're... 32:59.000 --> 33:02.000 I want you to do it 33:02.000 --> 33:07.000 And if I find out how it's being done, you'll say I knew all along 33:07.000 --> 33:10.000 Well, you're going to have to start trusting people 33:10.000 --> 33:14.000 I could go down there with a battery of police technicians and find out 33:14.000 --> 33:17.000 But I'd scare off our pirate for good 33:17.000 --> 33:20.000 Now, this has to be done in the dark 33:20.000 --> 33:26.000 I'd like you to do it 33:26.000 --> 33:29.000 At least record Joe's song 33:29.000 --> 33:30.000 Leave us with something 33:30.000 --> 33:33.000 Everybody wants to cash in on Joey's song, right? 33:33.000 --> 33:34.000 It's a short hit 33:34.000 --> 33:35.000 Well, he wrote it for me 33:35.000 --> 33:37.000 It's mine, and I'm going to keep it for what it stands for 33:37.000 --> 33:40.000 You could turn that around, Nancy, and sing it for what it stands for 33:40.000 --> 33:41.000 There's no way, Ethel 33:41.000 --> 33:43.000 No pirate is going to get his hands on it 33:43.000 --> 33:44.000 Look, Nancy, why don't you just cool down? 33:44.000 --> 33:45.000 Give yourself a day, maybe 33:45.000 --> 33:48.000 What she needs is not a day! 33:48.000 --> 33:49.000 Not a day! 33:49.000 --> 33:51.000 Kenny thinks she needs a break from you, now get out of here 33:51.000 --> 33:52.000 Listen, you... 33:52.000 --> 33:53.000 Get out of here! 33:53.000 --> 33:54.000 Please, please, please 33:54.000 --> 33:57.000 Everybody is so emotional 33:57.000 --> 34:04.000 There's nothing more to be said 34:04.000 --> 34:06.000 Nancy will be working on it 34:06.000 --> 34:10.000 You feel free to call 34:10.000 --> 34:13.000 Listen, only believe me, I understand the insincerity of this business 34:13.000 --> 34:15.000 You know, I was a one-hit artist 34:15.000 --> 34:19.000 You know, if I salvaged anything from that experience 34:19.000 --> 34:25.000 There's a line from my song, somewhere between your hurt and my pleasure 34:25.000 --> 34:29.000 It's where the sun is going to have to shine 34:29.000 --> 34:31.000 Like Paris 34:31.000 --> 34:34.000 Oh, Dee 34:46.000 --> 34:48.000 Now, the patch bay is out 34:48.000 --> 34:50.000 Dietrich said that 34:50.000 --> 34:55.000 Okay, now it all comes together here, in the terminal block 34:55.000 --> 34:57.000 And goes into the wall 34:57.000 --> 34:59.000 Yeah 34:59.000 --> 35:02.000 Dietrich said it's a hopeless bucket of worms 35:02.000 --> 35:04.000 Well, he's not the brightest 35:04.000 --> 35:07.000 You wouldn't have to tear the wall down to tap into it, wouldn't you? 35:07.000 --> 35:10.000 Not if you know how 35:23.000 --> 35:26.000 Cutter and I tore this down a couple of times 35:26.000 --> 35:28.000 It's touchy 35:28.000 --> 35:30.000 Down, Bob 35:30.000 --> 35:45.000 All right, Bob 36:00.000 --> 36:02.000 Here we are 36:02.000 --> 36:04.000 I can't see 36:04.000 --> 36:07.000 An alligator clip 36:07.000 --> 36:11.000 Yeah, they jump from the input line to another line 36:11.000 --> 36:13.000 Oh, sturdy rotten 36:13.000 --> 36:15.000 Slow down, Mo 36:15.000 --> 36:17.000 We want the distributor 36:17.000 --> 36:19.000 So, put it back 36:19.000 --> 36:21.000 Just like it was 36:21.000 --> 36:30.000 Tap in line probably runs out the bottom of this unit 36:30.000 --> 36:33.000 One of the lines inside this cable 36:33.000 --> 36:35.000 Now, it's full of different colored spots 36:35.000 --> 36:37.000 So, you can't see it 36:37.000 --> 36:39.000 But you can see it 36:39.000 --> 36:40.520 It's a little bit of a 36:40.520 --> 36:42.000 Little bit of a 36:42.000 --> 36:44.000 Little bit of a 36:44.000 --> 36:46.000 Little bit of a 36:46.000 --> 36:48.000 Little bit of a 36:48.000 --> 36:50.000 Little bit of a 36:50.000 --> 36:51.000 Little bit of a 36:51.000 --> 36:52.000 Little bit of a 36:52.000 --> 36:53.000 Little bit of a 36:53.000 --> 36:54.000 Little bit of a 36:54.000 --> 36:55.000 Little bit of a 36:55.000 --> 36:56.000 Little bit of a 36:56.000 --> 36:57.000 Little bit of a 36:57.000 --> 36:58.000 Little bit of a 36:58.000 --> 36:59.000 Little bit of a 36:59.000 --> 37:00.000 Little bit of a 37:00.000 --> 37:01.000 Little bit of a 37:01.000 --> 37:02.000 Little bit of a 37:02.000 --> 37:03.000 Little bit of a 37:03.000 --> 37:04.000 Little bit of a 37:04.000 --> 37:05.000 Little bit of a 37:05.000 --> 37:06.000 Little bit of a 37:06.000 --> 37:07.000 Little bit of a 37:07.000 --> 37:08.000 Little bit of a 37:08.000 --> 37:09.000 Little bit of a 37:09.000 --> 37:10.000 Little bit of a 37:10.000 --> 37:11.000 Little bit of a 37:11.000 --> 37:12.000 Little bit of a 37:12.000 --> 37:13.000 Little bit of a 37:13.000 --> 37:14.000 Little bit of a 37:14.000 --> 37:15.000 Little bit of a 37:15.000 --> 37:16.000 Little bit of a 37:16.000 --> 37:17.000 Little bit of a 37:17.000 --> 37:18.000 Little bit of a 37:18.000 --> 37:19.000 Little bit of 37:19.000 --> 37:25.000 singing can't anybody understand that but you love Joey yes and he loved me 37:25.000 --> 37:32.160 and he wrote a beautiful song for me it's all I have left of him and I am not 37:32.160 --> 37:36.400 gonna have it dirtied up in the marketplace I don't think any song was 37:36.400 --> 37:41.400 ever meant to be hoarded Nancy look everybody says I'm being selfish do you 37:41.400 --> 37:46.520 agree with that the important thing is are you being fair to Joey oh sure 37:46.520 --> 37:51.600 record a song give the pirates one last crack at him give us a crack at Joey's 37:51.600 --> 37:57.760 killer I want you to listen to me we think he knew something about the 37:57.760 --> 38:04.480 pirating and became a threat we think that's why he was murdered 38:04.640 --> 38:09.440 don't you think he'd want you to do something about that 38:09.440 --> 38:21.920 but I'm leaving tomorrow oh please I'm so confused let me put it this way don't 38:21.920 --> 38:27.160 you think Joey would want the world to know how much he loved you 38:30.920 --> 38:35.720 I got a girl in Jersey got a girl in snow it got a girl upstairs and my wife 38:35.720 --> 38:41.080 don't know it okay terrific well all right let me have a balance from oh line 38:41.080 --> 38:45.560 there tapping goes into the quarter wall I can't rip the wall out places please 38:45.560 --> 39:06.600 we're ready to go go somewhere we can't delay the session trace it 39:06.600 --> 39:17.480 but there's no place that I'd rather be right here next to you oh I've heard a 39:17.480 --> 39:31.440 lot of sad songs but nothing brings me down as much as when I'm not hearing 39:31.440 --> 39:37.120 from you won't you love 39:42.840 --> 39:50.560 well this has to be it it's not on the plans 39:50.560 --> 39:59.480 I like your sneakers and I like your sweet shoes 39:59.480 --> 40:02.480 there's nothing 40:03.680 --> 40:06.680 and to be 40:09.560 --> 40:12.560 okay 40:12.560 --> 40:20.960 and you can have the movie this too cuz there's no one on the silver screen 40:20.960 --> 40:25.960 that looks as good as you 40:25.960 --> 40:41.480 right what you love 40:55.960 --> 40:59.960 Just as long as I'm alive 40:59.960 --> 41:03.960 Just as long as I'm alive 41:20.960 --> 41:21.960 Did you find it? 41:21.960 --> 41:25.960 A line goes into this first aid box and comes out over there, I think. 41:25.960 --> 41:30.960 You think? Joey Song's been pirated, everybody's going home, and you think? 41:31.960 --> 41:34.960 Priceless, the first take. 41:34.960 --> 41:36.960 You shouldn't leave your console running. 41:36.960 --> 41:39.960 You have old people always complaining about the bills. 41:39.960 --> 41:43.960 Aggravations, distractions, creditors. 41:43.960 --> 41:51.960 I print out three units every quarter. 41:57.960 --> 41:59.960 You're never better. 41:59.960 --> 42:03.960 Dee, look, I have to tell you that... 42:03.960 --> 42:06.960 I know, I know. Here it comes. 42:06.960 --> 42:14.960 I mean, singing Joey's song, what it means, the words, everything. 42:14.960 --> 42:19.960 Dee, I haven't been honest with you or with myself either. 42:19.960 --> 42:23.960 There's no trying to analyze it. You have plenty of time for that in Paris. 42:23.960 --> 42:26.960 You're packed, I'm packed, all you have to do is go. 42:26.960 --> 42:30.960 I'd just be using you. I'm sorry. 42:30.960 --> 42:34.960 I just shouldn't have let you hang in there counting on it. 42:34.960 --> 42:37.960 It's always being selfish. 42:37.960 --> 42:40.960 About a lot of things. 42:42.960 --> 42:44.960 I'm sorry. 42:44.960 --> 42:52.960 I'm sorry. 42:58.960 --> 43:02.960 I'll see you fellas. 43:06.960 --> 43:08.960 We're over here, baby. 43:08.960 --> 43:10.960 Both of us. 43:10.960 --> 43:14.960 I'm talking if you want to home in on the sound. 43:14.960 --> 43:18.960 It's about to start. 43:18.960 --> 43:22.960 I'm sorry. 43:37.960 --> 43:39.960 What's in the box? 43:39.960 --> 43:42.960 It could go up to the art department or Max's office, couldn't it? 43:42.960 --> 43:44.960 Yeah, or down to the duplicating room. 43:44.960 --> 43:48.960 Or down to the outside. 43:59.960 --> 44:03.960 Duffy, green sedan, tail him. 44:03.960 --> 44:11.960 Ed! 44:16.960 --> 44:18.960 Where'd you find it? 44:18.960 --> 44:20.960 On the wall by Diedrich's parking place. 44:20.960 --> 44:22.960 It could have a tape recorder in the back of his car. 44:22.960 --> 44:24.960 Just unplug it and drive off. 44:24.960 --> 44:34.960 I'll get the van. 44:49.960 --> 44:51.960 Did you get it? 44:51.960 --> 44:53.960 Yeah, I got it. 44:53.960 --> 44:56.960 All right, guys, big room for a barefoot Joey's last tape. 44:56.960 --> 44:58.960 Get on it right away. Get on the artwork right now. 44:58.960 --> 45:24.960 I want a dupe for Atlanta and one for Chicago. 45:24.960 --> 45:26.960 Best recorder money can buy. 45:26.960 --> 45:28.960 You knew it was Diedrich? 45:28.960 --> 45:31.960 Oh, no. I'm referring to Olympic Warehousing. 45:31.960 --> 45:35.960 It's owned by your music store proprietor, Mr. Brooks. 45:35.960 --> 45:38.960 He just makes a show of poverty. 45:38.960 --> 45:40.960 Hey, great job, Diedrich. 45:40.960 --> 45:42.960 It's too bad about the accident. 45:42.960 --> 45:44.960 You know, I was counting on Joey for several years here. 45:44.960 --> 45:46.960 We'll take the money, Mr. Diedrich. 45:46.960 --> 45:48.960 Try and you pick up the tape. 45:48.960 --> 45:51.960 Real glad to see you again, Mr. Brooks. 45:51.960 --> 45:54.960 You weren't offered a big job in Paris, Mr. Diedrich. 45:54.960 --> 45:56.960 You were buying a studio. 45:56.960 --> 45:58.960 At least that's not a crime, is it? 45:58.960 --> 45:59.960 Murder is. 45:59.960 --> 46:01.960 No, I had nothing to do with that. That was his idea. 46:01.960 --> 46:02.960 Joey caught you in the act. 46:02.960 --> 46:03.960 You offered him a partnership. 46:03.960 --> 46:06.960 He refused, threatened to blow the whistle. 46:06.960 --> 46:07.960 Am I close? 46:07.960 --> 46:09.960 Close enough. 46:09.960 --> 46:13.960 Or was it because he stood in your way with Nancy? 46:13.960 --> 46:16.960 Well, a little of both, maybe. 46:16.960 --> 46:18.960 Didn't have time to think. 46:18.960 --> 46:25.960 Well, you're too late to help us with the work, but don't apologize. 46:25.960 --> 46:27.960 It's not very heavy. 46:27.960 --> 46:28.960 How was your trip, Mark? 46:28.960 --> 46:29.960 Oh, it was nice. 46:29.960 --> 46:31.960 Good to see my cousin, but next time I think I'll fly. 46:31.960 --> 46:33.960 Hey, wait a minute, Chief. 46:33.960 --> 46:35.960 I picked this up on my way out of town. I haven't had a chance to hear it yet. 46:35.960 --> 46:37.960 You couldn't wait till tomorrow, could you? 46:37.960 --> 46:39.960 Why, machine broke? 46:39.960 --> 46:42.960 It's a long story. 46:42.960 --> 46:44.960 I'm sorry, Chief. 46:44.960 --> 46:48.960 It's a long story. 46:53.960 --> 46:55.960 $295. 46:55.960 --> 46:58.960 Yeah, it was a premium offer with 15 gallons of gas. 46:58.960 --> 47:00.960 Station at 12th and Adams? 47:00.960 --> 47:01.960 Right on the corner. 47:01.960 --> 47:02.960 Yeah, you trade there, too? 47:02.960 --> 47:03.960 Nobody does anymore. 47:03.960 --> 47:07.960 The owner was arrested not two hours ago for pirating tapes in his back room. 47:07.960 --> 47:09.960 We'll need this for evidence. 47:09.960 --> 47:12.960 Hey, Ed, now hold it. I didn't know it was counterfeit. 47:12.960 --> 47:14.960 What about my $295? 47:14.960 --> 47:43.960 Last I heard, that was the going rate for ignorance of the law. 47:44.960 --> 47:46.960 $295.